Georgia and albert :: essays research papers

     The gallery, as most are, was sparsely furnished with but a few benches. It was dominated by three huge keyings and peppered with many an(prenominal) smaller works. In front of one, stood two sorority girls who were in heated debate. Rodney, visual perception an opening to impress them, sauntered over to brass at the painting and tolerate the question he knew would come. He was right. One of the girls turned and asked "Can you aver if this is a mans or a womans painting?" Not the question hed expected.     "fountainhead," He verbalize earnestly, examining the huge canvas with its large bold strokes of deep grisly on a background of fantastic yellow patches. "It looks very strong. The paint is applied with a wild vitality. Id say its a mans work."     "I told you so." said the first girl whos wee-wee was Amy. At least thats what her sweater said.     "Well the label says Stacy Conover. Thats a girls name." Complained the second girl.     "Jan, it can be a guys name too."     This sort of argument occurs at almost every gallery. It isnt easy to flow either. Art done by men does non always look masculine nor does art by women always look feminine. The question that is pose is Can you tell the difference between a mans art and a womans art? I personally thought it through and decided I didnt welcome enough information. After digging through the librarys encyclopedias, art biography books, biographies and folios, it was clear that the original question was too broad. It just is not workable to give an answer on this much subject matter. With this in spirit I set parameters and singled out two artists to be my subjects.     Ideally the artist should have similar backgrounds as far as family and schooling. Also they film to have lived during the same period. Si milar subjects and related media are best. Also they should have worked in the same locale at least for part of their careers.      run down and ferreting out a pair of artists to fit this description was not easy. I finally settled on two of the most big artists of the American Avant Garde, atomic number 31 OKeeffe and Alfred Stieglitz. As strange as it may reckon this husband and wife shared many aspects. Enough to fit my parameters anyway.     Georgia and Alfred were both born into large, wealthy, immigrant families. Georgia, the oldest OKeefe daughter and Alfred the oldest son of the Stieglitz.