Indian Camp and Soldiers Home Young Women as Objects Essay -- essays p

Indian summer camp and Soldiers Home Young Women as Objects In Ernest Heming airs short circuit stories Indian campsite and Soldiers Home, young women are treated as objects whose purpose is either reverberation or pleasure. They do not and cannot participate to a significant dot in the masculine sphere of experience, and when they have served their purpose, they are set aside. They do not have a voice in the narrative, and they represent complications in life that must be overcome in one way or another. While this portrayal of young women is hardly unique to Hemingway, the origin uses it as a device to probe the male psyche much deeply. *Paragraph Break*Indian Camp opens with an all-male convoy of rowboats heading crossways the lake, with young Nick, his doctor father and his Uncle George off to see an Indian noblewoman who is very sick. As they disembark on the other side and come a young Indian bearing a lantern to the camp where childbirth is taking consecrate, the mens guiding interest is not in the mother-to-be as a person, but in her physiology as a case study. When they ascertain her screaming in bed, Nicks father dehumanizes her by saying Her screams are not important. I dont hear them because they are not important. *Paragraph Break*Bitten by the young woman during labor pangs, Uncle George reacts instinctively Damn squaw bitch She is not seen as a co-participant with the men overseeing the birth. Instead, she is merely an object they are direct on, a bitch soon to whelp her pup, so to speak. The studied agree of the father and doctor as rational man (DeFalco 30), a guardedly constructed pose, stands in contrast to the young womans inarticulate helplessness in childbirth. The equate of the docto... ...on to leave behind his hometown with its plethora of beauties underscores his view of young women as unimportant objects of pleasure. *Paragraph Break*Both Indian Camp and Soldiers Home place young women in a secondary, objectified role. Hemingway takes this approach to focus attention on the psyches of his male protagonists, self-obsessed in their youth or war-weariness. It may not delight the author to feminist readers, but it does make for some powerful short fiction.Bibliography1.DeFalco, Joseph. The Hero in Hemingways Short Stories. University of Pittsburgh Press, 1963.2.Flora, Joseph M. Ernest Hemingway A Study of the Short Fiction. G.K. third house & Co., 1989.3.Westbrook, Max. Grace under Pressure Hemingway and the Summer of 1920. Ernest Hemingway The Writer in Context. Ed. pack Nagel. University of Wisconsin Press, 1984.